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Что (кто) такое Gallo-Celtic - определение
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The Celtic languages (usually , but sometimes ) are a group of related languages descended from Proto-Celtic. They form a branch of the Indo-European language family. The term "Celtic" was first used to describe this language group by Edward Lhuyd in 1707, following Paul-Yves Pezron, who made the explicit link between the Celts described by classical writers and the Welsh and Breton languages.
During the 1st millennium BC, Celtic languages were spoken across much of Europe and central Anatolia. Today, they are restricted to the northwestern fringe of Europe and a few diaspora communities. There are six living languages: the four continuously living languages Breton, Irish, Scottish Gaelic and Welsh, and the two revived languages Cornish and Manx. All are minority languages in their respective countries, though there are continuing efforts at revitalisation. Welsh is an official language in Wales and Irish is an official language of Ireland and of the European Union. Welsh is the only Celtic language not classified as endangered by UNESCO. The Cornish and Manx languages went extinct in modern times. They have been the object of revivals and now each has several hundred second-language speakers.
Irish, Manx and Scottish Gaelic form the Goidelic languages, while Welsh, Cornish and Breton are Brittonic. All of these are Insular Celtic languages, since Breton, the only living Celtic language spoken in continental Europe, is descended from the language of settlers from Britain. There are a number of extinct but attested continental Celtic languages, such as Celtiberian, Galatian and Gaulish. Beyond that there is no agreement on the subdivisions of the Celtic language family. They may be divided into P-Celtic and Q-Celtic.
The Celtic languages have a rich literary tradition. The earliest specimens of written Celtic are Lepontic inscriptions from the 6th century BC in the Alps. Early Continental inscriptions used Italic and Paleohispanic scripts. Between the 4th and 8th centuries, Irish and Pictish were occasionally written in an original script, Ogham, but Latin script came to be used for all Celtic languages. Welsh has had a continuous literary tradition from the 6th century AD.
Википедия
Peter Gallo (born 1959 in Rutland, Vermont) is an artist and writer who lives and works in Hyde Park, VT. He received his Ph.D. and MA in Art History from Concordia University, Montreal, and has written about the intersection of biopolitics, medicalization, and artistic experience from the eighteenth to early twenty-first centuries. He has a BA from Middlebury College, Middlebury, VT. For many years Gallo worked as a psychiatric crisis support worker and services coordinator for people with psychiatric and developmental disabilities in northern Vermont. Additionally, the artist has been active in the Grass Roots Art and Community Efforts (GRACE) in Hardwick, VT. He has organized numerous exhibitions including "Insider Art," (GRACE traveling exhibition, 1990), and Our Yard in the Future: The Art of Gayleen Aiken (Horton Gallery, 2007). He has contributed criticism to Art in America and Art New England, among others. The artist is represented by Anthony Reynolds Gallery in London, UK. Gallo's works have been featured in solo and group exhibitions in the United States and Europe, and are included in notable collections of contemporary art.
Gallo draws from a wide variety of sources – art historical, political, and literary, and often incorporates poetic, philosophical and found texts in his mixed-media paintings. He utilizes simple formal structures which emphasize the materiality of painting, and his works alternate between or combine both abstract and figurative elements. Nautical imagery derived from historical sources such as the "ship of fools," and the "ship of state," are among his signature subjects. His paintings often incorporate unconventional materials, including buttons, toothpicks, newspaper clippings, found photographs, string, typed texts, dental floss and chicken bones. His “improvisatory” style has been compared to that of Ree Morton, Joy Division and Forrest Bess. Critic Jonathon Goodman writes that in current art trends this kind of “ad hoc creativity often serves to mask poor skills, but in Gallo’s case, the rawness is a genuine part of his aesthetic, whose ungainliness keeps us thinking.“
